made my first internal LDC today
okay, so i thought i’d give it a shot (NPI), and took a trip to home depot. about 90 minutes later, i’ve got quite the silencer. on a power setting of 9.5, she’s whisper quiet. i vented the frame too and the front bushing. there’s quite a bit of air coming out of the four holes i drilled into the frame. i’m going to chrono her in a few after the neighbors go inside and i can get a few shots off in my garage. i used a bunch of fender washers, o’rings, a spring, and some plastic spacers. i can’t believe how quiet she is. i’m sure i’ll take the gun apart in the next few days and i’ll post pictures. i should have my DB meter here sometime this week, so I can take some readings with Tony’s shroud, a rich from michigan LDC, a kirk from arizona LDC, and the logun QGS. Should be an interesting showdown to see which one is the quietest. who knows…maybe mine will win??? lol (yeah right).
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Martin, you are dealing with 2 elements, and need to keep them separate in your head. One is air flow, which doesn’t like to turn sharp corners and has inertia (momentum) and is subject to turbulence. The other is sound waves, which in this application is simply air with micro compressions and rarefactions (rapid changes in density). In a car muffler, your object is to reduce sound but you are not restricted to a straight path; you can do anything you want to including placing baffles directly into the path of the gas. In the airgun, if you do that you’ll obviously shoot it the first time you fire it so you must have a clear axial channel, which the air and sound will obviously also try to follow. Your job as a designer is therefore to use what you know about the differences in the two elements to try to separate them physically and trap or attenuate them to reduce the sound signature.
walt